published on: 30th November of 2018
Susanne Schächter-Heil shares a step-by-step instruction how to wet-felt a nativity scene complete with angels, shepherds and sheep. Apart from that, the winter issue offers a lot of news and interesting facts from the world of textile art and feltmaking: Event reports, exhibition gleanings, shows and courses, information about the Wallis Blacknose Sheep and its wool as well as a wealth of different interesting dates and schedules for all felt enthusiasts.
published on: 22nd August of 2018
to an international felting conference in Sweden, to the »Steampunk verfilzt« show in Buxtehude and the graduation exhibit of the felt academy in Belgium. Let yourself be inspired by such diverse artists as Gudrun Bartenberger-Geyer, Natali Shvets and Yvonne Zoberbier and discover over 200 courses, exhibitions, markets and trips in our enclosed schedule.
published on: 30th May of 2018
European felting renaissance. Further we report from the German-speaking Felt Encounter in Detmold, the exhibit »Gehalten & getragen« (Held & Worn) of the Filz-Netzwerks in Marienmünster and we look back to ten years of advanced training offered by the Filzschule Oberrot.
published on: 19th February of 2018
by-step instructions how a lovely little fox can be needle-felted. Moreover we bring many exciting news in the fields of felting and textile art, reports from the most important events and exhibitions as well as 200 dates for courses and workshops in our time schedule attachment.
published on: 28th November of 2017
and events around the textile art scene, of interesting courses and the history of the Turkmen saddle blankets made from felt. Annette Quentin-Stoll gives instructions how to felt a sitting pad with a chessboard pattern, and Margit Röhm explains how a felted surface becomes smooth by singeing it.
published on: 30th August of 2017
Feltrosa in Nazzano at the Tiber and from the Journées Européennes du Feutre at Felletin. »Filzwalker« (»feltfuller«) Bruno Bujack writes about his work with the orbital sander, and Ricarda Aßmann met a wood turner in Hungary who makes fulling tools that are as beautiful as they are functional.